Day 7- 11/10/10
So my sickness compounded by my paranioa of medicinal drugs has a 50/50 success rate on this trip so far. On one hand i avoided getting a shot for food poisoning by a doctor in basketball shorts but on the other i was only taking the childs dosage of pepto the other day, so... Now that i am on the "12 and up meds" im at about 70% just enought for me to give my 110% for the almost 50 non musicians that showed up to watch the rehersal today. Before we began our tour over here we had discussed doing a couple of my songs live with a band from Bissau. The 1st song the band played was "Angel Dust" complete with drums, keys, electric guitar, electric bass, 3 backround singers, plus jembe & conga drums. I was vibing like crazy off of that from jump. It's amazing how universal the languge of music truly is. We worked out bars, refrains, chorus lines, tempos, and the different places the singers needed to add on in at least 3 languages. People from the neighborhood seemed to just hear the music and walk into the back yard, pull out their camera phones and just start recording as we got through the song and moved on to "Blaxploitation". At the end of the session the band played a traditional Guinea Bissau rhythm and all the MC's including one of the singers dropped a few bars after the hook of "Big Up G.B. Whoa". Big Up GB is the name of the crew we are rocking with here and there is a lot of talent in the squad, i have the utmost respect for the artists in Bissau because they lay it on the line for their music and what they feel is right. Very few people are lucky enough to truly believe in something, and even less are willing to put heir life on the line for it. If Hip-Hop back home had half the courage of the MC's in Bissau we wouldnt be poisoning ourselves and dancing to our own demise. For better or worse tho i love Hip-Hop, and music as a universal language has the ability to unite people from all walks of life, nomatter their race, creed, religion, or nation of origin. Despite the hustle and grind of the business, the marketing meetings, sale sheets, and deadlines there are still moments like these where its about what really matters- honest self expression, freedom, building, having a good time and just making music. I will end this one with what has been the constant quote in my mind this past week-
"Music is the weapon of the future" -Fela Kuti
-Peace
Hasan Salaam
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11/11/10- Day 8
The truth can be painful and disturbing. Music is a powerful tool, and like any powerful tool, it can have both constructive and destructive effects. Today we discovered one of hip hop music's most widespread influences. It has gone from music created to combat repression, to music that subliminally promotes it. Young black youth all over the world now happily refer to themselves as niggers. I don't want to hear the stupid "nigger" vs "nigga" argument. They are the same damn word. The harsh realization for us this trip has been today's discovery that most youth here in West Africa refer to themselves as niggers. In all fairness, they have no knowledge of the history of the word (unlike the youth in the U.S who use it despite knowing). Still, to come back to the roots (Africa) and see how the fruit (hip hop music) has decomposed them is depressing. Especially since music is a big part of what we do. You turn on the radio here and the word is everywhere. It's prominently sung and rapped without any type of editing on all public mediums. Artists here use it as part of their name. It has replaced the term "MC" or "rapper". Instead of MC Hammer, here they would call themselves Nigga Hammer. It's really thrown us for a loop, and made us realize just how much work we have ahead of us.
At our 2nd radio interview, the host began to refer to the rappers as niggers. There is no easy way to inform a host on live national radio, that he's using the most insulting word in history as a term of endearment. Hasan knew it had to be done though. So, while on live radio Hasan spent 10 minutes breaking down the history of the word. The host looked uncomfortable, as if he felt a little put on the spot (especially since I was filming it). However, after the interview concluded he thanked Hasan for the information. Will he stop using it? Who knows? Thousands of people heard the broadcast though, and all we can do is give people the information. What they do with it is their decision. Later that afternoon, Hasan conducted a workshop on the history of hip hop for about 30 Guinean artists. "What is the meaning of nigger?" one asked. As Hasan articulately answered the question, I saw a very divided reaction. Some of the artists seemed disinterested, but others seemed visibly moved as they learned the history behind it. Even those that were moved, later used the word repeatedly out of habit later that day. This led me to a disheartening thought. Despite their sympathy to the plight of African Americans, do West Africans not view that plight as their own? Do they see it as "That is terrible what happened to THEM" instead of "That's terrible what happened to US"? That's the only reason I could rationalize for why their clear show of sympathy, did not turn to immediate disgust and anger. I don't have the answers, but never imagined having to ask these questions. Hasan had a final talk with As One, one of the most talented and influential artists in Bissau, about the topic. I think he reached him. Perhaps he can be that catalyst the rest of the artist's need. Time will tell. Right now one of the groups is rehearsing for the show Saturday. The chorus of the song is "Niggaaaaa" sung in a three part harmony. What has rap music done?
Tomorrow is a new day. All we can do is what we can do....
Peace,
Raj






